Robert Plane won the Royal Over-Seas League Music Competition in 1992. Since then his solo and chamber career has taken him to prestigious venues across Europe and beyond, performing Mozart’s Clarinet Concerto in Madrid’s Auditorio Nacional de Musica with the City of London Sinfonia, on tour in the USA with the Virginia Symphony and throughout China with the BBC National Orchestra of Wales, during which his performance at Beijing’s National Centre for the Performing Arts was broadcast live to a TV audience of 6 million.

Robert has become particularly known for his performances and recordings of the magnificent English repertoire for clarinet. Gramophone magazine has praised playing of ‘ravishing lyricism and conviction by Robert Plane, who has now surely fully occupied the shoes of the late Thea King in his championship of British clarinet music.’ His benchmark recording of Finzi’s Clarinet Concerto (BBC Radio 3 Building a Library recommendation and part of the Naxos British Music Series which won a Gramophone Award in 1999) is still a regular feature of the playlists of both Radio 3 and Classic FM nearly twenty years after its initial release. He subsequently recorded discs of  music by Bax (a further Gramophone Award shortlisting), John Ireland, Howells, Alwyn, Holbrooke, Robin Milford and Stanford, including Stanford’s Clarinet Concerto with the Bournemouth Symphony Orchestra.

Robert made his solo debut at the BBC Proms in 2011 in Simon Holt’s double concerto ‘Centauromachy’. He gave the world premiere of Piers Hellawell’s ‘Agricolas’, with subsequent performances and a CD recording for Delphian with the Ulster Orchestra and the RTE National Symphony Orchestra. Other notable premieres include the clarinet concerto by Diana Burrell, with performances with Royal Northern Sinfonia at the Huddersfield Contemporary Festival and at the Barbican, and Nicola LeFanu’s Concertino. He gave the UK premiere of Christian Jost’s ‘Heart of Darkness’ before taking it the Dortmund Philharmonic during their season celebrating that composer’s works. Other overseas engagements include Copland with the Malta Philharmonic in the Manuel Theatre, Valletta, Finzi in the Zurich Tonhalle with the Zurich Chamber Orchestra and the Bruch Double Concerto for clarinet and viola with the Symphony Orchestra of Sri Lanka as part of the Commonwealth Heads of Government Meeting in 2013.

Robert has formed close partnerships with a number of leading chamber ensembles. He has performed and recorded with the Gould Piano Trio for over twenty years and their recording of Messiaen’s Quartet for the End of Time was hailed by BBC Music Magazine as the ‘finest modern version’ of this monumental work. He also appears on the Gould Trio’s recorded cycle of the complete trios of both Beethoven and Brahms. Together they direct the Corbridge Chamber Music Festival in Northumberland. They have made many tours to the US together, appearing in Washington D.C. at the Phillips Collection and at Trinity Wall Street, New York. He has collaborated with the Maggini, Dante, Auer, Carducci, Cavalleri, Brodsky and Tippett Quartets, and his performance of the Brahms Clarinet Quintet with the Skampa Quartet was broadcast live on Radio 3 on the opening night of that station’s ‘Brahms Experience’. Robert has given concerts with the Mandelring Quartet in Germany, the UK and on a West Coast USA tour and a series of recitals in Switzerland with the Swiss Piano Trio. he is a frequent guest at ensemble-led festivals, joining the Fidelio Trio in Dublin, Callino Quartet in Dartington, the Primrose Piano Quartet in West Meon and the Mandelring Quartet at their Hambachermusikfest in Germany. Constantly searching for innovative programming ideas, he recently toured the UK with the Sacconi Quartet, presenting York Bowen’s neglected but masterly Phantasy Quintet for bass clarinet and strings, alongside the classic quintets of Mozart, Weber and Brahms. Partners in Schubert’s ‘Shepherd on the Rock’ have included Rebecca Evans, Janis Kelly, Susan Gritton and Ilona Domnich. He has performed with pianist Sophia Rahman since meeting as students at the Royal Academy of Music, for music clubs and festivals throughout the UK and on tour in South America, China, New Zealand and Sri Lanka.

Alongside his solo and chamber work Robert has held the position of principal clarinet with Royal Northern Sinfonia, the City of Birmingham Symphony Orchestra and BBC National Orchestra of Wales. He has played as a guest principal with the Royal Concertgebouw, the London Symphony Orchestra and the Chamber Orchestra of Europe. He is also solo clarinettist on the soundtrack for the Disney film, Maleficent.

Robert teaches at the Royal Welsh College of Music and Drama and for many years has given an annual class at the Royal Academy of Music in London. He has given masterclasses at the Royal College of Music, Trinity Laban, Birmingham Conservatoire, Beijing Conservatoire and the San Francisco Conservatory. Future plans include premiere recordings of British concertos with the BBC Scottish Symphony Orchestra, the premiere of a new work for clarinet and piano trio by Huw Watkins at the Three Choirs Festival and a performance of Boulez’s rarely heard epic masterpiece, ‘Dialogue de l’Ombre Double’ at Belfast Sonorities Festival.