Dynamic levels are nicely varied throughout, as are textures

Dynamic levels are nicely varied throughout, as are textures

Fanfare, Raymond Tuttle

“Dynamic levels are nicely varied throughout, as are textures, … the Sarabande in the Second Suite is beautifully grave and dignified. Articulation is very clean and clear, and the clarity is enhanced by a modest (i.e., not “ping-pong”-like) separation of the two performers across the stereo sound stage.”