Robin Browning, the conductor, was centre stage in every sense of the word

Robin Browning, the conductor, was centre stage in every sense of the word

Music in Portsmouth, Stuart Reed

“… . this chamber orchestra had no problem delighting the whole audience with its high standard of musicianship.  Their first offering was Schubert’s Overture in the Italian Style.  This was partly influenced by that opera music composer and amateur chef Gioacchino Rossini.  The HCO’s joyful treatment created a sunny, vibrant atmosphere bringing with it images of Tuscan landscapes, jolly fiestas, good food and wine.”…

“Next on stage was Richard Uttley playing Schumann’s Piano Concerto in A minor.  His rendition was flawless.  The piano has its moments of being really up front and the soloist carried that off with boldness.  But it also blended harmoniously with the whole orchestra when required.  It takes real concentration for thirty-eight musicians to play quietly enough not drown out the solo instrument in the quieter passages.  But here, the experience and self-discipline of the soloist, players and conductor paid off handsomely. After the interval came the Beethoven.  His Third Symphony is a massive work.  Several large passages are repeated, making the whole thing nearly an hour long.  But there was so much great stuff to hear and see on stage that the time just flew by.”

“Robin Browning, the conductor, was centre stage in every sense of the word.  His flowing movements were a joy to watch.  Slashing his baton like a sabre one minute and jabbing it like an epee the next, his body language exuded authority and sensitivity.  He glanced directly at every section or soloist to bring them in at precisely the right moment.  Gestures from his left hand summoned up more sound or indicated tender softness.  It was stylish [conducting] indeed.  No wonder Classic FM’s John Suchet speaks so highly of him.”…

” Top marks all round”.

The concert